Welcome to our ongoing August blog series celebrating the final weeks to enter your artwork for consideration into FI2016! We’re highlighting different artist’s interpretations of fiber art that we’ve loved seeing in past Internationals.
All work must be either fiber in content or executed in a fiber technique.
Sometimes artists ask if the International accepts multimedia work, and we point them to the above line from the Entry Requirements page on the FI2016 prospectus. Does it sound prescriptive? Restrictive? Well, this is a show about fiber art, after all. The host galleries, the Society for Contemporary Craft and Pittsburgh Center for the Arts, should be full up with cottons, linens, wools, and silks. Right?
Sort of. And sometimes they are. But sometimes, they are full of other things. Like moss. Lottery tickets. Glass. Plastic feed sacks. Metal tape measures. Zip ties. Pipe cleaners. Anything, in fact, that can be woven, knotted, stitched, quilted, felted, dyed, spun; or made to look like it is. Anything that makes use of our human relationship with fiber to comment on the world. Anything that uses or references a fiber technique. What seems restrictive on the surface can be a pretty deep pool.