Interview with April Dauscha

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them. If you are a previous Fiberart International participant and would like to update the community on the happenings in your life, please contact Katie Bulova at bulovakatie@gmail.com

Written by Katie Bulova

April Dauscha is a fiber artist currently living in Greenville, South Carolina. Her work is shrouded in her faith and her family history. She was a participant in Fiberart International 2016.

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Focus On: Video

Welcome to our ongoing August, 2015 blog series celebrating the final days to enter your artwork for consideration into FI2016! We’re highlighting different artist’s interpretations of fiber art that we’ve loved seeing in past Internationals.


OK, really? Video? Wasn’t the last post bad enough with the lottery tickets and the glass? Where’s the fiber art?

Hear me out. It won’t take long!

Ritual often makes use of fabric. Maybe it’s a piece of special clothing adorning the body, like a baby’s christening gown, or a cloth that’s employed in ceremony, like a chuppah at a Jewish wedding. Or the bit of lace veil that both conceals and reveals a bride’s face in many traditions.

Video is a wonderful medium for recording the act of ritual itself, and April Dauscha uses it to great effect when she films the use of her unique handmade needle-run lace artifacts. April uses her custom-made ceremonial garments to stage intimate personal rituals of penance, contrition, dressing, and undressing.

Act of Contrition still
April Dauscha, “Act of Contrition” (still). Featured in FI2013. Video; handmade needle-run lace veil

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