Interview with Melissa Campbell

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them.

Written by Katie Bulova

Melissa Campbell is a fiber artist residing in North East Ohio.  Her woven creations use a double-warp painting technique to embed portraits into undulating woven patterns.   Melissa was a Fiberart International 2016 participant. She has recently transitioned to working in the studio full-time, following her role as faculty in the School of Fashion at Kent State University.

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Interview with Adrienne Sloane

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them.

Written by Katie Bulova

Adrienne Sloane is a two-time participant of Fiberart International and a 2007 Fiberart International award winner. She found the experience well-organized and was particularly impressed with how well the Fiberart International leadership treated the artists.

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Interview with April Dauscha

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them. If you are a previous Fiberart International participant and would like to update the community on the happenings in your life, please contact Katie Bulova at bulovakatie@gmail.com

Written by Katie Bulova

April Dauscha is a fiber artist currently living in Greenville, South Carolina. Her work is shrouded in her faith and her family history. She was a participant in Fiberart International 2016.

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Interview with Peter Clouse

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them. If you are a previous Fiberart International participant and would like to update the community on the happenings in your life, please contact Katie Bulova at bulovakatie@gmail.com

Written by Katie Bulova

Peter Clouse is a fiber artist hailing from Saginaw, Michigan. He was a participant in Fiberart International 2016.
His practice implements ecological frugality: his paradigm is to create art “from nothing.” He calls this approach to material gathering democratic. Everyone has access, and everyone can create. Peter uses found, discarded, or donated materials in his works.

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Interview with Marie Bergstedt

With Fiberart International 2022 coming up we wanted to check on artists who participated in previous exhibitions, see what they are up to now and how participating in the exhibition impacted them. If you are a previous Fiberart International participant and would like to update the community on the happenings in your life, please contact Katie Bulova at bulovakatie@gmail.com

Written by Katie Bulova

Marie Bergstedt is a textile artist living in San Francisco. She works primarily in pictorial narratives sculpted with textiles. Her works tell stories, such as family history, family mystery, and the struggle of her community. Exploring relationships and memories are the key to her work. She uses haberdashery, such as buttons and yarn, to capture the spirit of street musicians and joyful dancers, as well as those pondering serious issues. She is a two-time participant in Fiberart International and has exhibited her works throughout the world.

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Lecture with Bruce Hoffman

April 22, 2021 – 3 PM EST
Please register on the Registration Form.
Free program for Fiberarts Guild of Pittsburgh members – $5.- for non-members.

Bruce Hoffman is Director of Gravers Lane Gallery in Philadelphia. He has been working in the field of studio crafts for more than three decades. During these years he has taught at Moore College of Art and Design, lectured and been a guest critic for many colleges, and has had the honor to jury shows for many fine museums, guilds, and art centers across the country.
Fiber and textile-centric art has been a main focus. Along with five friends, Bruce created and curated Fiber Philadelphia 2012. This four-month event showcased 61exhibits of fiber throughout the city. Bruce has a historical understanding of studio crafts as well as an appreciation of artists’ work and process. This guides his curatorial choices while enjoying the visceral delight of material, color, form, and texture.


Bruce is the juror for Out of the Funk, the Fiberarts Guild of Pittsburgh membership exhibition.

Materials

Written by Jean Thomas

More about material fiber artists choose.

Lori Lupe Pelish FI07 artist

In my recent blog post I wrote about some of the unusual fiber materials that were chosen by artists whose work is in previous Internationals. So now it’s time to survey the usual or more frequent choices.

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Browsing the catalogs

Written by Jean Thomas

Ever so often I browse through my collection of Fiberart Intertational catalogs, starting with 2001. I joined the Guild in 1999 or thereabouts. So here are a few statistics and observations. The 2001 and 2004 catalogs were a modest 6×9 inches with 116 and 88 pages respectively. In 2007 the catalog size grew to 8 1/2 x 11 inches with128 pages.

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